Online Study Group With Lucy Mayes

An monthly online study group for the Lake Pigment Making Online Course Members who seek to be part of a supportive creative community.

This is a small informal peer group meeting up to share explorations, ideas, and questions.

Format: A small group of 12 who meet up monthly for a two hour meeting on Zoom. This is an informal open space for emergent discussion and conversation. Members are invited to share questions with the group, explorations, and works in process or completed. This is supported by ongoing conversation and photo sharing online.

Purpose: Connection with a global community of plant dye, ink, & paint making enthusiasts. An opportunity to share your work and insights. To get feedback around your creative explorations. To hear about what others are exploring, and be inspired by this.

Just 12 Spaces Available

Price: 12 Payments of £16.00 for 12 months, 1 Payment of £170.00

How To Join: Join the Lake Pigment Making Course Programme to access the sign-up page.

When: 6-8pm GMT

On the last Tuesday of each month: January 27th, 2026, February 24th, March 31st, April 28th, May 26th, June 30th, July 28th, August 25th, September 29th, October 27th, November 24th, December 29th

About Lucy Mayes

Lucy Mayes (b. 1991, England) is an artist, pigment maker, researcher, and educator working within the craft of pigment making. She studied at the Ruskin School of Art, University of Oxford, and the Royal College of Art, where her interest in traditional painting techniques, pigment processing, and paint making first took root. In 2018, she founded London Pigment, and since 2020, her handmade pigments have been available through L. Cornelissen & Son. She is on the board of non-profit Pigments Revealed International, an organisation dedicated to building a global pigmnt community. Currently travelling through Europe aboard her wooden sailing boat, she works between London and Sussex.

Her practice centres on the use of reclaimed raw materials and environmentally responsible approaches to pigment production. In 2023, she played a key role in the inclusion of pigment making on the Heritage Crafts Association’s Red List of Endangered Crafts. She has taught pigment making at institutions including Tate, the V&A, and the Royal Botanic Gardens at Kew. Her work, featuring pigments made from locally sourced minerals and exploring the connections between regional mining history and pigment traditions, is held in a permanent display at the Royal Cornwall Museum in Truro.