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Grow Your Own Dye Plants - 9th April - Ongoing
The Celtic Wheel of the Year: Botanical Ink-making With Karn John - Ongoing
Pigments, Paints, Pastels, & Pens With Caroline Ross - Resources Available
Working With English Ivy With Christi York - 2nd September
Paper Making With Sarah Grace Dye - 9th September - 25th November
Introduction to Prehistoric Textiles - Resources Available
Natural Colour Making For Artists - Ongoing
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Printing & Painting On Textiles - From January 2026
Lake Pigment Making Deep Dive - From January 2026
Cyanotypes and Botanical Toning - With Anna Lukala - February & March 2026
Making & Working With Natural Art Materials - From April 2026
Verdigris With Lucy Mayes - April & May 2026
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South West Colour Makers Gatherings
Found and Ground: Making Natural Art Materials - 5 Days With Caroline Ross in Devon
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2025 Learning
Grow Your Own Dye Plants - 9th April - Ongoing
The Celtic Wheel of the Year: Botanical Ink-making With Karn John - Ongoing
Pigments, Paints, Pastels, & Pens With Caroline Ross - Resources Available
Working With English Ivy With Christi York - 2nd September
Paper Making With Sarah Grace Dye - 9th September - 25th November
Introduction to Prehistoric Textiles - Resources Available
Natural Colour Making For Artists - Ongoing
Study Groups 2025
2026 Learning
Printing & Painting On Textiles - From January 2026
Lake Pigment Making Deep Dive - From January 2026
Cyanotypes and Botanical Toning - With Anna Lukala - February & March 2026
Making & Working With Natural Art Materials - From April 2026
Verdigris With Lucy Mayes - April & May 2026
Mentoring
Study Groups 2026
Study Groups
Join Us In Person
South West Colour Makers Gatherings
Found and Ground: Making Natural Art Materials - 5 Days With Caroline Ross in Devon
Drawn From The Wild: Making Natural Art Materials Level Two - 5 Days With Caroline Ross
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Newsletter
About
Contact
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Plants & Colour
Folder: 2025 Learning
Back
Grow Your Own Dye Plants - 9th April - Ongoing
The Celtic Wheel of the Year: Botanical Ink-making With Karn John - Ongoing
Pigments, Paints, Pastels, & Pens With Caroline Ross - Resources Available
Working With English Ivy With Christi York - 2nd September
Paper Making With Sarah Grace Dye - 9th September - 25th November
Introduction to Prehistoric Textiles - Resources Available
Natural Colour Making For Artists - Ongoing
Study Groups 2025
Folder: 2026 Learning
Back
Printing & Painting On Textiles - From January 2026
Lake Pigment Making Deep Dive - From January 2026
Cyanotypes and Botanical Toning - With Anna Lukala - February & March 2026
Making & Working With Natural Art Materials - From April 2026
Verdigris With Lucy Mayes - April & May 2026
Mentoring
Study Groups 2026
Study Groups
Folder: Join Us In Person
Back
South West Colour Makers Gatherings
Found and Ground: Making Natural Art Materials - 5 Days With Caroline Ross in Devon
Drawn From The Wild: Making Natural Art Materials Level Two - 5 Days With Caroline Ross
Gift Vouchers
Newsletter
About
Contact
Login Account
Study Clubs Study Group With Isobel Denton - Autumn/winter 2025-2026
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Study Group With Isobel Denton - Autumn/winter 2025-2026

£65.00
sold out

Timing: Wednesdays 6-8pm (GMT+1 for the first session, and then GMT )

Term Dates: 1st Wednesday of each month: September 3rd 2025, October 1st 2025, Nov 5th 2025, Dec 3rd 2025, Jan 7th 2026, Feb 4th 2026,

Payment: £65 for 6 months for six sessions.

​These sessions are recorded. The group is limited to 12 people

Facilitated by Isobel Denton 

Issy is a textile artist specialising in traditional practices creating natural inks & dyes for textile & paper applications.  She works from her studio in West Yorkshire under the name of ‘abitmoreink’.  She became interested in dyes, and dyeing techniques whilst originally working in theatre, film and television, as a costumier.  For the last 3 years she has been creating an extensive dye garden - growing plants for use in her own practice. Presently, she is focussed on  developing a 3D sculptural work using various traditional craft practices and making paper using plants such as flax and other materials she either grows, or forages locally. In addition to her own practice she regularly delivers workshops at various venues. She also works with many arts based organisations and in schools, to create pieces for exhibitions that explore the narrative of natural dyeing and related processes.

I'm focused on growing my dye plants, as I have a large dye garden. I'm more of a generalist when it comes to using the materials I grow and a general experimentalist. Sustainability is at the core of my practice, and more recently my work has been exploring paper-making and sculptural forms. I’ve just co-created an exhibition with children from @makerworldhudds called Biophilic Sculptures as part of the Woven Festival, made entirely from sustainable materials—recycled paper and textiles, naturally dyed with plants from my garden.

@abitmoreink

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Timing: Wednesdays 6-8pm (GMT+1 for the first session, and then GMT )

Term Dates: 1st Wednesday of each month: September 3rd 2025, October 1st 2025, Nov 5th 2025, Dec 3rd 2025, Jan 7th 2026, Feb 4th 2026,

Payment: £65 for 6 months for six sessions.

​These sessions are recorded. The group is limited to 12 people

Facilitated by Isobel Denton 

Issy is a textile artist specialising in traditional practices creating natural inks & dyes for textile & paper applications.  She works from her studio in West Yorkshire under the name of ‘abitmoreink’.  She became interested in dyes, and dyeing techniques whilst originally working in theatre, film and television, as a costumier.  For the last 3 years she has been creating an extensive dye garden - growing plants for use in her own practice. Presently, she is focussed on  developing a 3D sculptural work using various traditional craft practices and making paper using plants such as flax and other materials she either grows, or forages locally. In addition to her own practice she regularly delivers workshops at various venues. She also works with many arts based organisations and in schools, to create pieces for exhibitions that explore the narrative of natural dyeing and related processes.

I'm focused on growing my dye plants, as I have a large dye garden. I'm more of a generalist when it comes to using the materials I grow and a general experimentalist. Sustainability is at the core of my practice, and more recently my work has been exploring paper-making and sculptural forms. I’ve just co-created an exhibition with children from @makerworldhudds called Biophilic Sculptures as part of the Woven Festival, made entirely from sustainable materials—recycled paper and textiles, naturally dyed with plants from my garden.

@abitmoreink

Timing: Wednesdays 6-8pm (GMT+1 for the first session, and then GMT )

Term Dates: 1st Wednesday of each month: September 3rd 2025, October 1st 2025, Nov 5th 2025, Dec 3rd 2025, Jan 7th 2026, Feb 4th 2026,

Payment: £65 for 6 months for six sessions.

​These sessions are recorded. The group is limited to 12 people

Facilitated by Isobel Denton 

Issy is a textile artist specialising in traditional practices creating natural inks & dyes for textile & paper applications.  She works from her studio in West Yorkshire under the name of ‘abitmoreink’.  She became interested in dyes, and dyeing techniques whilst originally working in theatre, film and television, as a costumier.  For the last 3 years she has been creating an extensive dye garden - growing plants for use in her own practice. Presently, she is focussed on  developing a 3D sculptural work using various traditional craft practices and making paper using plants such as flax and other materials she either grows, or forages locally. In addition to her own practice she regularly delivers workshops at various venues. She also works with many arts based organisations and in schools, to create pieces for exhibitions that explore the narrative of natural dyeing and related processes.

I'm focused on growing my dye plants, as I have a large dye garden. I'm more of a generalist when it comes to using the materials I grow and a general experimentalist. Sustainability is at the core of my practice, and more recently my work has been exploring paper-making and sculptural forms. I’ve just co-created an exhibition with children from @makerworldhudds called Biophilic Sculptures as part of the Woven Festival, made entirely from sustainable materials—recycled paper and textiles, naturally dyed with plants from my garden.

@abitmoreink

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